Swan Lake
This is the best version of Swan Lake I have ever seen, which is a bold statement, given that there have been many excellent live and recorded productions of this ballet (including Graeme Murphy’s touching choreography performed by the Australian Ballet).
Based on the traditional choreography, there are some nice touches added by Nureyev that take advantage of the greater number of angles from which to view the dancers.
Two features make this version outstanding: the first is the elegance and regimented precision of the Paris Opera Ballet corps de ballet. These women are marvellous, and we can enjoy their group formations even more, thanks to numerous overhead shots. There are times when they are expected to hold most uncomfortable positions, and the camera being so close would be utterly unforgiving for anything but the most professional ensemble. These talented women manage to maintain their composure and demeanour most admirably.
The second and most outstanding feature is Odette (Letestu, who, in this rendition, also performs the role of Odile). Her magnificently long limbs are extended elegantly, truly evoking the style of a swan. She is hypnotic to watch, and even includes occasional avian-like movements of the head. The camera zooms in occasionally on her long, pale, tapered fingers. She is a most beautiful dancer; every move is executed with the greatest polish, flair and flourish.
A most stunning Swan Lake.